About us  
  Home  
  Who we are  
  Why study with us  
  Our methodology  
  Our teachers  
  How to enrol  
  Contact us  
     
  News & Events  
  Events Archive  
  Photos  
     
  English Courses  
  General English  
  For children  
  Summer courses  
  English for business  
  Conversation  
  For preschoolers  
  For companies  
  Literature  
     
  Exams  
  Exams Centre  
  Cambridge English  
  Calendar  
  How to enrol  
  Schools  
  Teachers  
  IELTS  
  Children  
  Business  
  Other exams  
     
  For Teachers  
  Resources  
     
  For Students  
  Resources  
  Test your English  
  Literature Quiz  
     
  Italian Version  
     
  © Associazione Culturale Italo Britannica 2005  
     
Cover of Self-Impression by Max Saunders
 

News & Events

 
  MAX SAUNDERS ON MODERNISM
 
 
 

Presentation of the book Self Impression: Life-Writing, Autobiografiction and the Forms of Modern Literature by Max Saunders (Oxford University Press, 2010)

Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing.

In Self Impression: Life-Writing, Autobiografiction and the Forms of Modern Literature, Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction.

He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism.

Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt.

Max Saunders is Professor of English at King's College London and Co-Director of the Centre for Life-Writing Research and the author of Ford Madox Ford: A Dual Life (OUP, 1996)

Per sapere di più: http://www.kcl.ac.uk/ip/maxsaunders/

Vita Fortunati (Università di Bologna) and Elena Lamberti (Università di Bologna) will introduce the author.

Organised in collaboration with the Associazione Culturale Italo Britannica

Wednesday 23 June 2010 - ore 17.00 - Sala della Giunta, Dipartimento di Lingue e Letterature Straniere Moderne, Via Cartoleria 5, 40124 Bologna

 
 

Literature course | English Literature Quiz | Home